Year: 2018

Epilogue: Three Months After the MFA

So here I am. Three months after graduating from an MFA program in Creative Writing. What am I doing with my life? What are my hopes and dreams? What am I wearing?…Wait, what? Why are you asking what I’m wearing? If any of you read my last post some, oh, seven months ago, you’ll know that I was already thinking about PhD programs/jobs/etc. then The truth is, this has been the most challenging realm of my life to navigate, but I think it’s also important to share, because for every person who graduates from an MFA program and lands their ideal job or gets into their number one PhD program directly after the MFA, there are probably hundreds of others who don’t. Here’s my story. I knew I wanted to live in my hometown of Los Angeles after graduating. I applied to two PhD programs–the Creative Writing PhD at USC and the Literature PhD with a focus on Speculative Fiction at UC Riverside–and was rejected from both of them. While the idea of doing a …

On the Cusp of a Creative Life

Image: Molly Montgomery Two weeks ago, I wrapped up my M.A. program in Creative Writing at UC Davis. I had already turned in and defended my thesis— a collection of ten short stories about California, my family history, fairies, wildfires, and ghosts, among other things— and all I had left was to finish up papers for a pedagogy class and a workshop on poet’s prose. I’m not ready to say goodbye to days of indulging in long bursts of writing and reading, and at least for the summer I can still pretend I’m working on writing for my program. But I’m at a crucial turning point in which I need to figure out how to carry my writing practices from grad school into the dreaded “real world.” Luckily, I feel like my MA program prepared me for this moment because if I learned anything in grad school, it was how to be self-sufficient as a writer. Now that I am reflecting on how my program has shaped my writing and allowed me to grow, I …

How Not to Follow Up

Hey, writers, let’s talk submissions again! It’s been a while. I’ve previously written about what cover letters should look like, what stories you should probably not show litmags, other stories you should probably not show litmags, etc. I’d like to add to this a list of behavior you should never ever indulge in when following up on a submission, from the no-bullshit perspective of someone who spends a lot of time reading slush. If I reject you, please don’t write me back with some snide remark about how I’d like your work if only I were smarter or nicer. Why would you do this? All you have accomplished is that now you are on my permanent blacklist, and if I’m having a really annoying day, I will forward your mean email to your MFA program director or whichever magazine most recently published your work. Stop. Accept that you didn’t get in this time. I don’t get into places all the time. It happens. Please do not wait TWO DAYS and then email me to ask …

On Grief, Publishing Your First Novel and Turning 30

I turn 30 this weekend! (I’m hoping the exclamation mark makes it less of a terrifying new phase of life) When I started the MFA Years I thought I’d blog a lot more; after years of writing fiction around the day job, I was finally headed to grad school and the full time writing life. I would have so much time! And so many things to say about the publication journey! If you’ve been following this blog, you’ll know that that hasn’t, um, been quite the case. Turns out there’s a strange law of productivity that dictates the more time you have, the less productive you are. Back in 2016, I was still working in finance, writing fiction in the wee hours of the morning, editing at night, planning a wedding, applying to 13 graduate programs and somehow managing to stay on top of life admin (tax returns, remortgaging our flat, organising family visits etc). Today, a mere email asking me for a single scanned document can send my day into a downward procrastination spiral (I will spare …

Lost at SAIC: A Mini-Memoir

And so 2018 was off to a bang. Three different bangs. Bang. Bang. Bang. I will enumerate them below. A poetry workshop (I know I claimed to be a poet when joining the MFA Years community, but I might’ve lied about that). A writing class with a focus on incorporating programming languages and electronic elements in poetics. A medium-format film photography class. The premise of these, individually, was initially exciting. I figured I was maximizing the interdisciplinary nature of my program and gearing it towards my needs, my very disparate and incoherent needs. My “texts” (I hid my “poems” of the past under the pretense of calling them “texts” to avoid the scrutiny that may have come with calling them poems) needed some maturing, as did I, and so I figured this diverse curriculum I’d set up for myself was going to help me do that and become an adult. Also to help me evolve into a mature artist, I thought I could cover the more experimental desires of my practice by taking a class …

Long Distance Writing Workshops

Seton Hill University’s MFA program is low-residency. For most of the year, my work-shopping occurs via email with my critique partners and my mentor. There are pro’s and cons to this method. In this post, I’ll review both: The Pro’s of Long Distance Work-shopping More time to critique. During in-person workshops, the critiques are given verbally, on-the-spot. Writing a critique beforehand gives me time to think about giving a thorough, constructive edit. Ability to give a manuscript different layers of edits. As a low residency grad student with a busy life, I can chunk down my critiques and address a manuscript at the macro- and micro- level. Did I mention time? The reason I chose a low-residency program was because of the time it would give me. I am not saddled with attending classes. As a mother, this means I don’t have to arrange for and pay for childcare in order to attend school. (Yeah, that’s not directly related to critiquing, but it matters to me.) The Cons of Long Distance Work-shopping Inability to read first reactions to …

Choosing an Emerging MFA Program

When I was applying to fully funded MFA programs for the second time, my strategy was simple: to ignore the rankings as much as possible, & to apply where I felt I would be happy. Since I was looking for programs with an interest in queer poetics, I ended up applying to many small or obscure MFA programs, ultimately getting accepted at one of my top choice schools, the University of Miami.

However, a few days after April 15th, one of my dream schools called me, offering me a last minute acceptance off of the waitlist. Getting into a program I’d fantasized about attending since I was an undergraduate was an incredible feeling. But at that point, I had already accepted the University of Miami’s offer. The program suggested that, despite this, I withdraw my acceptance from UM in order to come to their school. With not much time to make a decision, I had to go with my gut.